The Night

Night like a fling of crows / disperses and is gone. –Christian Wiman

I saw a red wave in the field and it hurt like it was my own blood.

In Hymnen an Die Nacht (Hymns to the Night), Novalis writes: Night became the mighty womb of revelations—the gods drew back into it—and fell asleep, only to go out in new and more splendid forms over the changed world (Higgins translation).

To start again. To sleep.

Darkness is made of colors. There are black shadows, fluttering lights of white, purple, grey, floating translucent balloons.

There are white flowers opening for bats.

Chrysalis. Transformation. Metamorphosis. Change. Becoming. Evolution. Mutation. Transanimation. Metempsychosis.

Another obsession like a vision of holes in the ceiling of a barn that has already collapsed. If I were a god, I would name them hayloft, tent, treehouse, shed.

 

 

 

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Earthworks

As a child, I often found artifacts in the creek and fields behind my grandfather’s house. When I was writing the narrative for my new manuscript, Anti-Faun, it made sense that the speaker should encounter an earthwork. The manuscript is about the loss of Michigan’s ecosystems since the late 1700s, and it focuses on my hometown of Ovid, Michigan. After doing some initial research about earthworks, I discovered that there were several of them in my own backyard. In fact, I had been seeing their remains all of my life, lying on them while looking at the clouds, chasing butterflies over them.

According to M.L. Leach’s Smithsonian Institution Annual Report titled, “Ancient Mounds in Clinton County, Michigan,” in 1885 over twenty mounds could still be discerned amid the rapidly changing landscape. My grandfather’s farm is near number 16 (bottom right). However, as Leach observes, by the end of the nineteenth century the mounds were rapidly disappearing due to farming implements as well as deliberate removal by inhabitants. Many of these bones were shipped to Glascow, Scotland for analysis. I doubt if they were ever returned.

Clinton County Burial Mounds_1880s

 

We live in a colonial state. These mounds belonged to the people who lived here before me, people my ancestors drove from the land through violence and deception. My own great-great-grandmother, Lily Rail, signed the Saginaw Treaty of 1819, wherein most in which most of the Chippewa and Ottawa lands in mid-Michigan were ceded to the United States government. According to Charles Cleland, in Rites of Conquest: The History and Culture of Michigan’s Native Americans, the US gained 6 million acres of land, roughly one third of the Lower Peninsula from this treaty. Governor Cass prepared for the his meeting with the tribes by purchasing “39 gallons of brandy, 91 gallons of wine, 41 ½ gallons of fourth proof spirits, 10 gallons of whiskey, and 6 gallons of gin.” The tribal leaders were shocked by Cass’s proposal to buy their ancestral land. With the War of 1812 only five years behind them, they expected a proposal for peace. As Ogamawkeketo, a chief speaker said, “You do not know our wishes. Our people wonder what has brought you so far from your homes. Your young men have invited us to come and light the council fire. We are here to smoke the pipe of peace, not to sell our land.” And yet, Cass and his traders (most of whom were married to Native American women) and interpreters were willing to go to any length to secure these lands, including bribery and intoxicating tribal leaders. Most of the Chippewa and Ottawa who were forced from their homes were never compensated for the lands the government took from them, while white traders secured a tenth of the land and the majority of the cash paid for the land.

Once the government owned the area, they could sell it to entrepreneurs. The Michigan lumber industry was the most profitable enterprise in US history. Millions of acres were clear-cut, clogging the rivers as they were transported. Many species of fish, such as the grayling, went extinct. Soon the passenger pigeons would go extinct as well, a bird that was once so numerous, flocks were known to black out the sky.

What is this place where I grew up? Ovid, Michigan? A strange landscape, an alien landscape, a transformed landscape, a landscape in mourning, a ravaged landscape. I try to use art to reconnect to the these spaces, to help with my feelings of alienation, but the truth is, a part of me died with those ecosystems, a part of all of us died. There is no going back. And yet, we must go forward with the knowledge of what is lost. Where there is life, there is hope. There is hope.

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